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StereoGraphics Enables Glasses-Free 3D Casino Gaming | |
3D-News Posted: Sunday, September 21, 2003 (16:46 UTC) | Posted By: Webmaster | ||
StereoGraphics is partnering with AESI to sell 3D displays into casino gaming. AESI is a market leader in providing complete casino gaming solutions and support. Jim Brendel, AESI President, said, "The casino gaming market absolutely loves these monitors. We have shown the glasses-free 3D monitors to leading casino game manufacturers as well as the top casinos. The common response is that the 3D quality is excellent, and the monitors will certainly drive demand for casino games by stopping viewers in their tracks." The SynthaGram monitors are ideal for electronic casino games such as slot machines and video poker due to the clear bright stills and video that do not require special lighting. SynthaGram monitors are also ideal for casino signage or anywhere a casino needs to catch the attention of a large audience. The SynthaGram is a flat-screen LCD or plasma monitor with a special optical surface creating the 3D effect. Current sizes include 18-42 inches, but any size flat-screen LCD or plasma can be made into a SynthaGram monitor. StereoGraphics not only manufactures the SynthaGram monitors, but also provides a complete solution ensuring a dynamic 3D viewing experience. The glasses-free 3D solution includes the SynthaGram monitor, SynthaGram Player to playback 3D content, technology infrastructure, and complete content creation and conversion services. |
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StereoGraphics and Kortek Form Glasses-Free 3D Partnership | |
3D-News Posted: Sunday, September 21, 2003 (16:45 UTC) | Posted By: Webmaster | ||
StereoGraphics® Corporation, the world's leading supplier of Stereo3DTM visualization products, announced a strategic partnership with Kortek®, a Korean company that is the global leader in industrial monitors. StereoGraphics and Kortek will join forces to create the next generation of Glasses-Free 3DTM monitors. StereoGraphics already is the recognized world leader in Glasses-Free 3D monitors with its SynthaGramTM product line. The SynthaGram is the highest quality 3D monitor available - thanks to the realistic, bright images and wide viewing angles. Due to the quality of the 3D stills and video, the SynthaGram is being widely used in industries such as retail point of purchase, casino gaming, and tradeshow displays to engage the viewer and create a captivating 3D viewing experience that does not require eyewear. StereoGraphics is now partnering with Kortek to co-engineer a new line of industrial-grade monitors that can meet much stricter specifications and withstand much harsher environments. Kortek specializes in creating the Total Display Solution for demanding high-use environments such as casinos, military operation facilities, advertising displays, retail point of purchase, computer monitoring centers and industrial sites around the world. "We chose Kortek to take us to the next level of 3D visualization because they are the confirmed worldwide leader in monitor quality", said StereoGraphics Founder, Chairman, and CEO Lenny Lipton. "Their rigorous manufacturing process ensures superiority in their expansive line of monitors." "StereoGraphics Glasses-Free 3D monitors are the best we have ever seen", commented Edward Kim, Kortek Vice-President & Chief Marketing Officer. "Their 20+ years of experience in 3D visualization gives them the knowledge to create best in class 3D viewing experiences. We are pleased to assist them in creating 3D monitors that meet our rigorous standards." StereoGraphics and Kortek plan to have a wide range of industrial strength Glasses-Free 3D monitors in production by December 2003. |
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ARRI Announces 3D LUT Support for IRIDAS SpeedGrade and FrameCycler | |
3D-News Posted: Friday, September 19, 2003 (10:59 UTC) | Posted By: Webmaster | ||
This collaboration will provide a dramatic workflow enhancement for users of SpeedGrade, IRIDAS' new colour correction software, and FrameCycler, their real-time playback tool‹as well as ARRILASER users. Making the ARRI CMS lookup tables available to IRIDAS users, means that artists will now be able to review or colour correct their digital movies and see the colours as they will appear on film. "The IRIDAS solutions offer the freedom to use Cineon files throughout the workflow chain, using the full colour space offered by film in a digital format. This approach ensures that the dynamic range of film, represented by densities in logarithmic space can be accessed for display whether on a digital monitor or digital projector," says Dr. Peter Geissler, Project Manager ARRI CMS. "By integrating the ARRI 3D LUT technology we're providing an elegant way to review or colour correct digital material. Even at the earliest stages of the digital intermediate pipeline, producers and DoPs will have an accurate impression of how the colours will appear when brought to film. We're delighted to work alongside IRIDAS on this. Our collaboration will also include creating customized look-up tables for various film stocks." "ARRI's colour management tools meet a crucial need in the film business today and are a great fit for our products," said Lin Sebastian Kayser, IRIDAS CEO. "Our approach is to create applications that enhance the whole digital intermediate workflow from start to finish. ARRI's colour management system is a wonderful addition to the digital artist's tool set and supports |
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3D Roars Back: From Hollywood to Product Marketing - Lightspeed Completes 3D Ride-Film for Continental Teves | |
3D-News Posted: Friday, September 19, 2003 (10:55 UTC) | Posted By: Webmaster | ||
The 3D film was written, produced, and visually realized by Lightspeed, and will educate the public about Continental's innovative safety technology, Electronic Stability Control (ESC). Eye-popping 3D movies have caught the public's attention again, with viewers rushing to see everything from Hollywood's "Spy Kids 3-D" to James Cameron's IMAX documentary "Ghosts of the Abyss." Marketing companies are also catching on to the sizzle created by high-quality 3D films, as proven by the success of Continental's "Safely There" mobile exhibit and marketing campaign. A 3D high-definition film by Lightspeed Design Group is now crisscrossing the country in an 85-foot mobile exhibit. "Today's consumer audience is rightfully cynical and demanding. Disney and others have created a legitimate expectation of excellence in info/entertainment messaging. Continental's ESC exhibit will typically be only one of many competing attractions for the consumer in each of its national tour markets," said Mike Adams, account executive for H.B. Stubbs Company in Warren, Michigan, charged with building out the tractor trailer exhibit. "We enthusiastically supported our client's preference for 3D with motion as a way to bring their messages effectively to a larger audience. It generates a buzz all unto itself." The realism of the film is heightened by Lightspeed's proprietary 3D technology, which immerses viewers in an eye-opening 3D world that seems lifelike and natural. "We've been refining 3D technology for ten years, working on everything from precision computer graphics to live action shots," said Lightspeed President Chris Ward. To reach Continental's targeted demographic -- women in their 30's and 40's -- Lightspeed eschewed the in-your-face effects common to most 3D productions. Instead, the rich, captivating 3D look of the film was combined with a content-driven story about two mothers having a "kitchen table" talk in the front seat of a car. "The film's message", said Lori Pavelich, Continental's Supervisor, Marketing Communication, "is very subtle, in that we are not trying to scare the audience out of their seats, but we do want to make people realize how valuable ESC can be. That's why I think the 3D works so well with the film's story line -- it brings a realism to the message that makes it more credible and believable." The film was created with the most current 3D High Definition technology, which utilized Sony CineAlta digital cameras, controlled by Lightspeed's innovative 3D computer pre-visualization techniques. Although the 3D technology involved in the Continental film generates lots of sizzle at the entrance gate, Lightspeed's 3D filmmaking and projection techniques are cost-competitive with 2D film projects, making the technology accessible to a wide range of corporate productions. No matter how intense the buzz over special effects can become, however, Ward's philosophy is that the story must come first, the technology second. "We balance the media with the creativity of the story, and everybody comes out ahead." |
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Barco to deliver world’s first multi-purpose Holospace for Medical Imaging at CAESAR | |
3D-News Posted: Tuesday, September 2, 2003 (20:03 UTC) | Posted By: Webmaster | ||
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ANACHROME 3D offers greatly improved plastic glasses to Hollywood for 3D films and DVDs | |
3D-News Posted: Tuesday, September 2, 2003 (19:57 UTC) | Posted By: Webmaster | ||
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Barco's MoVE at the heart of new 3-D virtual reality lab for engineering research at University of Calgary | |
3D-News Posted: Tuesday, September 2, 2003 (19:48 UTC) | Posted By: Webmaster | ||
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X3D Technologies Corp. Acquires 4D-Vision GmbH | |
3D-News Posted: Tuesday, September 2, 2003 (19:10 UTC) | Posted By: Webmaster | ||
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SGI and TeraBurst Networks Deliver Interactive Visualization Environments Over Optical Networks | |
3D-News Posted: Tuesday, September 2, 2003 (19:05 UTC) | Posted By: Webmaster | ||
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